Make it Happen: Lost Film Fest

This video was produced for our Make It Happen Project.

Make It Happen is a series of short documentaries profiling creative people pursuing their dreams through projects with DIY roots.

We wish that this documentary came close to capturing the carnival atmosphere of activism and underground culture swirling around Scott and Liz. If they ever roll through your town, you must check them out. Until then, enjoy.

Make it Happen: Lowcard

The Lowcard mini doc to end all Lowcard mini docs. It premiered at the Skateboard Film Festival on August 14, 2009 and was awarded a Bronze Telly Award in 2010

If you don’t know what Lowcard is, then watch and learn.

Make It Happen is a series of short documentaries about creative projects that started out DIY. This is the first one.

Shot, Produced, and Edited by Abby Berendt Lavoi and Jeremey Lavoi.

Music by Hightower, Hottub, Mothership, and Bad Strip

Open animation by Thom Blythe

Schmoo'd

Some of our former Current TV peeps have started “a creative cooperative of multimedia producers with the intention of advancing the causes of rebuilding media, stable employment and fulfilling work for all.” It’s called Schmooru. Expect to hear a lot more about it in the weeks and months to come.

In the meantime, Schmooru has started a youtube channel for the purpose of showcasing pilot projects from Schmoos. We shared Make It Happen: Lowcard with the crew. So please watch it again, and give us some hits… also enjoy these other Schmooru related videos.

Lost and Found

Just in case you thought we forgot about the Make It Happen Project think again. Scott and Liz from Lost Film Fest, stopped by our house Wednesday night (on a brief S.F. detour on their way back from Burning Man) …and they hooked us up with a TON of awesome footage and stills for Make It Happen: Lost Film Fest. In fact, way more than we could ever use. Thanks guys, you’re awesome.



Make It Happen: Lowcard Documentary

Finally, the long awaited Make it Happen #1! The Lowcard doc. This video premiered at the Skateboard Film Festival, August 14, 2009.

Thanks to the Lowcard Crew, Shrewgy, and the bands.

Music by Hightower, Hottub, Mothership, and Bad Strip

Open animation by Thom Blythe

Skate Film Fest

Make It Happen: Lowcard premieres at the Skateboard Film Festival in Seattle, at 5:50pm, Saturday August 15. Click that link to buy tickets in advance. It’s the first public showing of any of the Make It Happen docs!

We are headed out tomorrow morning, road tripping from SF to Seattle for the Festival. If you’re in the Seattle this weekend, please come down to the festival and say hi. If you live between here and there, we’d love to hang out with you and your couch.

If you are in San Francisco this week, be sure to head to DLXSF on Thursday 8/13 for the Lowcard/C1RCA shoe release party. It’s from 6-9pm.

We’ll be sure to keep you updated on Festival happenings. In the meantime, here are a few trailers of films we’re looking forward to watching.

Make It Happen: DIY Across America

The Make It Happen Project is a documentary series dedicated to covering people succeeding at what they love, and doing so independently.


We kicked off the project by traveling across America in search of inspiring people with stories to share.


View TeamJaded: Make It Happen in a larger map

We also posted blogs and vlogs from the road detailing our progress.


(Check our Youtube page for updates. We recently reuploaded all the vlogs in HD.)

We kept up with vlogs until we realized that it was way more fun to travel if we weren’t constantly filming ourselves.

We were on the road for four months. In that time we met many interesting people including the Austin Craft Mafia, the artists at Okay Mountain, the folks who run the Lost Film Festival and Evil Twin Booking in Philly, the New Orleans poet Chuck Perkins, the Poor Pony Collective, TBC Party, and Bling Kong, a Brooklyn based, choose your own adventure rock band.

The trip was awesome, we only wish we could have been on the road longer and met more people. Now after over a year back in San Francisco, a tryst with the Web 2.0 industry, and our wedding, we are finally editing the Make It Happen stories. The first story that we produced for the series was Lowcard. It was shot in San Francisco just before we left. That piece has been cut, and we have entered it in the Skateboard Film Festival.

It’s up on their website now, which makes us think that it’s been accepted. Because of that we won’t be posting the finished piece until after the festival in August. Until then enjoy the trailer and our snazzy write up.

(Edit: Make It Happen: Lowcard premiered at the Skateboard Film Festival in Seattle, Saturday August 14. To watch it, click here.)

“Lowcard started as a humble xeroxed rag passed between a small crew of friends. Now its circulation is in the thousands, and the Lowcard brand presides over an empire of clothes, shot glasses, and even AM/FM radios.

However, the name Lowcard is more than just the header on a magazine or a logo on a t-shirt. Lowcard is synonymous with raw and unapologetic skateboard culture. This film is a brief look into the day-to-day happenings of Lowcard’s editor in chief, Rob Collinson.”

Please check back for lots more updates on the project soon.

MIH: Lowcard is in the Fest!


Make It Happen: Lowcard is in the Skateboard Film Festival! It will be premiering there in Seattle August 14-16. We’re psyched!

The Trailer is up on their site right now!

Thanks to Lowcard, Shrewgy, In the Gnar, and Eastern Boarder Nashua for posting the trailer!

Make It Happen: Lowcard Trailer

That’s right we’re cutting the Make It Happen Docs. Here’s a little taste of Lowcard. Don’t worry, we’re not just teasing you with a trailer. The piece is actually cut. Yes you read right, it’s done. In fact we’re sending it off to the Skate Film Fest in Seattle today. If we get accepted to the festival, we’re going to premier it there on the big screen in August. Wish us luck.

TeamJaded Zombie Apocalypse: a long (overdue) update

First off, apologies to anybody who got used to the daily updates in October. I had a lot more free time then, and I was experimenting with what a daily TeamJaded.com would look like. The updates slacked off because Abby and I got married on November 1st. Yes, you read right. Thank you. After the wedding we headed to Rome for our honeymoon. Both were awesome. So let that be the first status report for a post that will include many. I’ll link to pictures of the wedding and honeymoon when we have them.

I could have jumped back to daily updates when we returned, but I chose not to. Before the wedding, I was spending a little too much time scouring the web for anything to move the site just to satisfy the few people who randomly stumble here looking for Mac Dre information. And the updates about local skate events were purely self-satisfying. I don’t think any of it was worth the time. If I’m wrong about that let me know.

TeamJaded.com
is not a daily blog. I’d love to say that it will be, or could be, but that’s just not going to happen anytime soon. It is time for Abby and I to put our energy towards tasks a little more important like:

Earning some cash
Getting Jaded Multimedia off the ground
Updating JadedMultimedia.com
Moving Make It Happen to the next phase
and Starting Pre-Production on Mulch (much more on that later)

TeamJaded.com will continue to be what it has always been: a place where we share things that we think our cool. It will also continue to be the spot where we post updates about our company and our projects.

If you read the blog, then you know I was laid off from my web 2.0 gig in October. I used those first couple of weeks off to handle wedding details (and blog). After the honeymoon I started looking for work. It’s been difficult. I’m tempted to blame the recession. All the major players in my network are laying off (Current, Rev3, CNET). Luckily Abby is still employed so we have some income. However, San Francisco is an expensive town. If I don’t get some cash flowing quickly, then it’s going to be difficult for us to achieve anything on the list posted above.

In some ways we’re in a similar, if not slightly better position to the one we were in when we got back from the Make It Happen road trip last January. So please indulge me while I revisit that time. It will help to establish where we are and where we’ve been.

Abby and I left for the Make It Happen road trip in September 2007. We planned to travel the country and also shoot a collection of stories loosely tied to together by the concept of D.I.Y. We called the project Make It Happen. We honestly had no plan for what we were going to do with those stories when we were done. We were in Current TV “pod mode” and so we pre-produced them like pods. However, we both wanted to produce feature length documentaries. So half-way through the trip, and without any of the planning necessary, we decided that’s what we were doing. Four months into the project, we were exhausted and broke. Out of cash, we headed back to San Francisco with our Civic running off fumes and hours of footage that we didn’t know what to do with.

Some positive things about the trip were that we spent a lot of time with our families in Colorado and Louisiana. We hung out with some of our best friends in Austin, TX and New York City. We also worked with some incredibly eccentric (Lost Film Fest), creative (Okay Mountain, Bling Kong, Austin Craft Mafia), and inspiring people (Chuck Perkins, Lowcard).

…And most importantly, we got engaged on the Brooklyn Promenade.

We also learned a lot about ourselves. We learned about how to plan a long project and how not too. We learned our professional limitations. We planned too many shoots in too short of a time without considering how exhausting the road trip would be. By the middle of the trip we were burnt out. I believe the remainder of our work suffered because of it. That was a hard lesson, but we grew from it. We also became better crew people. When I look through the tapes, and then look at my work now, the improvement in shooting, lighting, and sound is mind-boggling. I believe that Abby feels the same way.

I wish that I could go back in time with the skills I have now and do it all differently. That is not to say that any of our footage is bad. I am incredibly critical of my own work. I can always look at what I’ve done and find ways that it should be better. With over a year between now and when we set off for America, it’s glaringly obvious to me what could have been, perhaps should have been done differently.

But I digress, Abby and I were also forever spoiled by our life on the road. Since we’ve been back we’ve both been ancy about civilian life and eager to hit the highways again. If we did, I’m not sure that we’d come back. Adjusting to the “real world” nine-to-six lifestyle has not been easy. I’m actually thankful for my lay-off for giving me a break from it.

What we did not learn, was how to fund a project as large as the one we undertook. For that matter, we did not learn a method to sustain ourselves long enough to finish it.

In January 2008 we got back to a rainy Bay Area broke and in need of shelter. (Full disclosure we could never have made it back without the financial help of our friends and family, especially my Dad.) Nobody would rent an apartment to us because we couldn’t provide proof of income. The last paycheck we had received was from Current TV for the Sisterz of the Underground and Displace Me pods. Neither of us had earned a “real” pay check for months. So, in San Francisco where renting an apartment is similar to applying for a job, complete with references and background checks, the landlords were just not having it. We were terrified that we’d be completely out of cash before we found either work, or a place to live.

Fortunately the job hunt was not as bleak for me then as it has been lately. I reached out to the Tech TV alumni list and that’s all it took. Before the end of our first week back, I had an interview at Seesmic. A couple of days later, we got lucky with the apartment search. We had literally been trudging through puddles auditioning for apartments for days when we finally found a landlord willing to give us the benefit of the doubt about our self-
employment. Strangely enough, we landed a place in a much nicer neighborhood than any of the ones we had shopped in before that day. Five minutes after we signed the lease, I got a phone call from Vinvin at Seesmic offering me a Preditor job.

Everything seemed to be going well, except for one tiny detail: Make It Happen was pushed to the backburner. Everything that had been our work, had been our lives for the last six months was pushed aside. Our freedom was gone. Our project was shelved.

Why? Well, in the two months that followed I worked consistent 60 hour weeks leaving me no energy to work on Jaded projects. Abby spent those weeks desperately searching for work herself, because even with the 60 hour weeks, my paycheck simply couldn’t support us. San Francisco is not cheap. I don’t mean to make it sound like we suffered, we did fine. But we were both scared, and the stress of hanging on in S.F. made us ever more exhausted.

Eventually Abby found work at Harper Collins. Then my hours dropped to a more “normal” rate. When the dust finally settled, it was time to plan our wedding. Make It Happen had already been on the backburner for months, so it stayed there. Planning a wedding is a monumental task, and it took everything we had up until the minutes before the ceremony to make IT happen. Thankfully we did. The wedding went great. Everyone who attended seemed to genuinely enjoy themselves. Abby and I certainly did.

With that said, as the year dragged on I began to feel increasingly bitter about the lack of progress on Make It Happen. I became dissatisfied with the work I was doing to earn a paycheck while our dreams evaporated. Increasingly I felt that we had made a mistake accepting full-time work, maybe even by coming back to the Bay Area at all because it is so expensive to live here.

Abby and I both began to feel that we should have held out for part-time gigs so that at least one of us could have worked on the project. I also began to feel very guilty because I thought the people we worked with were waiting for us to do something with the material. Scott Beibin and Lowcard Rob have each been in touch once. To that I say, it’s coming guys, please be patient with us.

I feel their pain. I come from a television background were material is turned around as quickly as possible. It eats me up inside to have all that footage sitting in dust covered external hard drives. BUT, we did everything we could have done. We took the jobs because we had to. We needed the money. For what it’s worth, my gig wasn’t a bad one, my heart just wasn’t in it.

The bottom line is that we chose to come back to San Francisco for a reason. The Bay Area is a hub for documentary filmmakers and also for do it yourselfers. We came back because we wanted to get involved in those communities, hopefully finding support for our work here. That decision carried a hefty price tag, which has kept us from enjoying the advantages we thought the Bay could provide.

That just about brings us to the present.

I’ve been busy during this time of post-wedding unemployment. Abby and I have talked quite a bit about where we are and where we might be going. We know this: we very much want to produce meaningful content that positively influences the world.

Our primary medium is video, so if we achieve that goal through feature length docs, web videos, television shows, or any similar means it’s fine by us. Now is the time to rally our creative energy and move in the direction we want to be going.

We want to work for ourselves. We want to produce meaningful content. We need to cut the Make It Happen stories and publish them in a manner that honors our subjects and also the work we put into them. We want to start production on a new feature length doc about deforestation of the cypress swamps in Louisiana, and the impact that deforestation has on people in the region.

The reality is that Abby is working full-time, and I am broke and therefore looking for work. It all comes back to money. It always does.

Now maybe you can see the similarities between the present and last January. We can’t survive off of Abby’s checks, not in this apartment, not in this city. So what do we do? How do we move forward creatively in this climate? How do we make progress on our projects when we can barely buy groceries?

What about our company? Jaded Multimedia was off to a good start before we left, but stalled out when we took full-time jobs. We have only about half the gear we need to run a legitimate production unit, but we’ve been able to rent and borrow when necessary to make it work. Therefore, what we really need is clients. To have clients we need to offer services. We need to figure out what those services are, update our website, and start reaching out to people.

At the moment our method to get the company off the ground is me looking for freelance gigs. I am doing this for the obvious reason of earning income, but also to increase our network, and hopefully learn more about the business side of things. My goal is to land enough freelance work to keep us afloat while building a sustainable business model beneath us. Once that is off and running we can go on to produce the meaningful work that we both yearn for so desperately. With so much at stake, I am cautious about getting into another full-time position that would further compromise our projects. However, it could come down that. I will do what I have to do to bring money into our house.

I have spent the last two weeks reaching out to everyone I know in the Bay Area production community. I’ve also sent out dozens of resumes answering ads for Producers, Shooters, and Editors on Craigslist and BAVC. So far I’ve had very little luck.

I applied for unemployment and was denied because they consider Jaded a full-time job. (More on that later.) So far the only gig I’ve found is a spec “audition” edit, which I’m working on now, and a temp position that I can take when I really need it. I’m also working on a new compilation reel, because the reel on Jaded is no longer fully representative of my abilities.

The good news for followers of TeamJaded is that I’m going to include work from the Make It Happen project in my new reel. That means that I’ve been digging through all that footage for the last couple of weeks. As I move along I’m setting up Final Cut Pro projects for each story and prepping them to cut after I’m done with my reel.

Lowcard and Lost Film Fest will be the first on the list. I cannot make any promises as to when that will be though. It depends on this spec job I’m working on, and whether it turns into a source for regular work. It also depends on how long it takes me to cut the comp reel, and if I can get other work coming in the meantime.

However, there is some PROGRESS ON MAKE IT HAPPEN.

I’m also researching documentary funding. I’d like to get back to researching the Louisiana documentary soon as well. I failed to mention that I started research on it a few months ago. Abby and I really want to do this one right. We are going to invest a lot of time into planning and research before we hype the project. With that said, we are doing that planning around everything else. In addition to all of that I’m trying to get into classes at BAVC to expand my motion graphics skills. (More on that later as well.) Abby is doing the honorable work of earning an income.

So that is where we stand. I hope you a
ll understand that although it doesn’t look like much is going on with us, there is actually quite a bit bubbling below the surface. We need help though. If you know of gigs in the Bay Area please pass them along. As always any tips about funding films is greatly appreciated. And any web designers out there who might like to contribute their skills to us for free, we very much want to revamp the blog and website.

Until next time…